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	<title>The Word Magazine &#187; Culture</title>
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	<link>http://www.thewordmagazine.be</link>
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		<title>The review: In Sickness and In Health</title>
		<link>http://www.thewordmagazine.be/radar/the-review-in-sickness-and-in-health/</link>
		<comments>http://www.thewordmagazine.be/radar/the-review-in-sickness-and-in-health/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 11:31:55 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Radar]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=11615</guid>
		<description><![CDATA[In this unconventional family portrait, photographer Colin Gray offers you the ability to gaze into the spheres of a dying woman.]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-11616" href="http://www.thewordmagazine.be/radar/the-review-in-sickness-and-in-health/attachment/gray_sickness_cov/"><img class="alignnone size-large wp-image-11616" src="http://www.thewordmagazine.be/media/2012/02/Gray_Sickness_Cov-400x448.jpg" alt="" width="400" height="448" /></a></p>
<p>Writer Charline Stoelzaed</p>
<p>With the collection In Sickness and in Health, a twenty-nine year project comes to an end for photographer <a href="http://www.colingray.net/" target="_blank">Colin Gray</a>. This is the final installment of a portrayal of Gray&#8217;s own parents, part of a piece of work that began in the eighties. The images that are often choreographed and humorous. Gray tracks the deterioration of his mother, Rene, in an attempt to find personal relief by immortalizing her agonising death. Bedridden following a stroke, the final chapter of the series The Parents depict Rene&#8217;s final days, no longer a caring wife and mother, but a ward of her caregiver husband, Ron. Assembled like a play, with blank pages indicating the succeeding phases of Rene&#8217;s illness, Gray&#8217;s images move back and forth between clinical registrations and impressionistic emblems with unseen colours and shapes. The voyeurism reflected in several scenes is strengthened by sub-temperature lighting, and brought back into balance by the subtle but unmistakable story of a life that is full of stories, and that shimmer through the images. In Sickness and in Health demonstrates Gray&#8217;s strong sensitivity to composition that is as just as often architectural as organic, while always making perfect sense. This concluding chapter puts the ugliness of the dependent and the concept of decay against the unconditional nurturing in the face of which the external disappears.</p>
<p><strong>
	
	<div style="text-align: center;">
				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/radar/the-review-in-sickness-and-in-health/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/colin-gray/021_health-400x403.jpg" alt=" "></a></p>
		<p style="text-align: center;"><em><small>&nbsp;</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/radar/the-review-in-sickness-and-in-health/">View more photos…</a></strong> (5 pictures)</p>
	
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</strong></p>
<p>Colin Gray: In Sickness and In Health</p>
<p>Published by <a href="http://www.steidlville.com/" target="_blank">Steidl</a></p>
<p>Available from Amazon <a href="http://www.amazon.co.uk/Colin-Gray-Sickness-Health/dp/3865219403" target="_blank">here</a></p>
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		<title>The tip: Alicia Drake&#8217;s The Beautiful Fall</title>
		<link>http://www.thewordmagazine.be/dribbles/the-tip-alicia-drakes-the-beautiful-fall/</link>
		<comments>http://www.thewordmagazine.be/dribbles/the-tip-alicia-drakes-the-beautiful-fall/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 10:37:20 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Dribbles]]></category>
		<category><![CDATA[Backstage]]></category>
		<category><![CDATA[Behind the scenes]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Consume]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Fashion]]></category>
		<category><![CDATA[Industry]]></category>
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		<category><![CDATA[Style]]></category>

		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=11521</guid>
		<description><![CDATA[A fascinating read about the bitter rivalry between iconic fashion designers Karl Lagerfeld and Yves Saint Laurent.]]></description>
			<content:encoded><![CDATA[<div id="attachment_11522" class="wp-caption alignnone" style="width: 676px"><a rel="attachment wp-att-11522" href="http://www.thewordmagazine.be/dribbles/the-tip-alicia-drakes-the-beautiful-fall/attachment/d-resize/"><img class="size-large wp-image-11522" src="http://www.thewordmagazine.be/media/2012/01/d-resize-400x410.jpg" alt="" width="400" height="410" /></a><p class="wp-caption-text">Photography Melika Ngombe</p></div>
<p>The fashion world is all drama &#8211; you need look no further than the catty goings-on of industry grandees  <a href="http://en.wikipedia.org/wiki/Karl_Lagerfeld" target="_blank">Karl Lagerfeld</a> and <a href="http://en.wikipedia.org/wiki/Yves_Saint_Laurent_(designer)" target="_blank">Yves Saint Laurent</a>. In her gripping book &#8220;The Beautiful Fall&#8221; <a href="http://en.wikipedia.org/wiki/Alicia_Drake" target="_blank">Alicia Drake</a> describes the bitter rivalry between the two iconic designers, while dishing up a sneaky behind-the-scenes look at Paris fashion in the 70s. Drake, a seasoned fashion journalist, dives into the biographies of the two men and paints a vivid double portrait of their unwittingly intertwined lives. Intrigue, ambition and glamour in an enthralling mix, a fascinating read for both fashion insiders and outsiders.</p>
<p>Alicia Drake: The Beautiful Fall</p>
<p>Available from Amazon <a href="http://www.amazon.co.uk/Beautiful-Fall-Fashion-Genius-Glorious/dp/0747585466" target="_blank">here</a></p>
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		<title>The love movement</title>
		<link>http://www.thewordmagazine.be/office/the-love-movement/</link>
		<comments>http://www.thewordmagazine.be/office/the-love-movement/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 09:56:46 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
				<category><![CDATA[Office]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=11561</guid>
		<description><![CDATA[What does love mean to you? ]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-large wp-image-11562" title="CNV00014" src="http://www.thewordmagazine.be/media/2012/01/CNV00014-400x267.jpg" alt="" width="400" height="267" /></p>
<p>If you were to illustrate the word &#8216;love&#8217; through one photograph, what would it be? We&#8217;re planning on running a photography gallery on our website on Monday 13th February to be entitled The Love Movement. The idea is simple: curate an online collection of photographs that, in one way or the other, allude to the word &#8216;love&#8217;.</p>
<div>Love in its broadest of senses: tender love, rough love, twisted love, tainted love, puppy love, love actually, punch-drunk love, unrequited love, first love, broken love, etc&#8230;</div>
<div></div>
<div>We&#8217;ll select those images we think fit the script the best, and publish them in the gallery. Each photographer whose image is used for the gallery will be credited, of course. So, if you want to send us some photographs of yours to be considered for this project, please do so by sending them to us by email at <a href="mailto:wewrite@thewordmagazine.be">wewrite@thewordmagazine.be</a>, with the following information:</div>
<div>
<ul>
<li>Who the photograph should be credited to?</li>
<li>A sentence describing the picture, and explaining your choice.</li>
<li>Any links you&#8217;d like us to add (yours or the photographers)</li>
</ul>
</div>
<div>In terms of format, we will only publish <strong><span style="text-decoration: underline;">horizontal or square images. Size should be 1024px wide</span></strong>. Deadline for submission is Thursday 9th February.</div>
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		<title>The interview: Christopher Coppers</title>
		<link>http://www.thewordmagazine.be/radar/the-interview-christopher-coppers/</link>
		<comments>http://www.thewordmagazine.be/radar/the-interview-christopher-coppers/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 08:49:13 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Radar]]></category>
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		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[On the radar]]></category>
		<category><![CDATA[Opening]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=11337</guid>
		<description><![CDATA[With his exhibition at Bodson Emelinckx Gallery having just opened, we sit down with Brussels-based cut-up artist Christopher Coppers to talk about his biggest show to date, the state of TV and Belgian politicians singing the wrong national anthem. ]]></description>
			<content:encoded><![CDATA[<p>Brussels-based artist <a href="http://www.christophercoppers.com/" target="_blank">Christopher Coppers</a> destroys to create – construction and deconstruction forms the essential elements of his approach. His tools: magazines. By ripping up, cutting in and reshaping the printed matter, Coppers carves out second lives for the magazines he works with, the resulting body of work ranging from installations and large-scale sculptures to smaller, one-off pieces. In his biggest show to date, Brussels&#8217; <a href="http://www.bodson-emelinckx.com/" target="_blank">Bodson Emelinckx Gallery</a> shows an overview of his works of the last two years. Entitled &#8216;Trash TV&#8217;, the show critically explores today&#8217;s TV culture and media-dependent society. We caught up with the artist the day following his show&#8217;s opening to ask him about the exhibition, shit TV and why magazines are God.</p>
<p><a rel="attachment wp-att-11407" href="http://www.thewordmagazine.be/radar/the-interview-christopher-coppers/attachment/chris-acl-2008-2/"><img class="alignnone size-large wp-image-11407" src="http://www.thewordmagazine.be/media/2012/01/Chris-ACL-2008-2-400x265.jpg" alt="" width="400" height="265" /></a></p>
<p><strong>What’s the idea behind Trash TV?</strong></p>
<p><strong> </strong>I was born with TV, grew up with it and realised how shitty it actually is. I just had to do something about it. First Trash TV was a term only used in the US, until about 10 years ago, when we could observe the same development here in Belgium. The Trash TV installation explores five themes: childhood, reality TV, sex, games and American sitcoms.</p>
<p><strong>What’s the message you want to pass on?</strong></p>
<p>There’s not really a message behind it. It’s more about just pointing out the current state of television, what we have to live with at the moment.</p>
<p><strong>In your installation you throw TVs into a bin &#8211; do you own a TV?</strong></p>
<p>Yes, I own one and I watch pretty much everything. But I look at it in a different way, to get inspired for my work.</p>
<p><strong>What’s your biggest criticism of television as it is today? </strong></p>
<p><strong> </strong>It’s continuously becoming less and less interesting. We are watching emptiness. We cannot just leave it at that.</p>
<p><strong>Who’s responsible for that? The viewers who make ratings of questionnable shows go up or the TV makers who assume that the viewers are stupid? It’s the old discussion of what was first – the chicken or the egg…</strong></p>
<p>For me the TV makers are responsible. They try to copy the US where TV is horrible. They play commercials all the time, even when there might be an interesting programme it’s difficult to watch because of that. There’s a lot of money behind it, it’s nothing that can change overnight.</p>
<p><strong>Your exhibition is quite eclectic actually and shows many different aspects of your work – can you tell me more about your fusion of magazines and iPods?</strong></p>
<p>I wanted to play with technology and combine a medium of the past (the magazines) with a medium of the future (the iPod). Who knows how magazines will develop? Will they even still exist in 30 years? Will they maybe have moving images inside?</p>
<p><strong>You also show your classic magazine cuttings that you are most known for.</strong></p>
<p>Yes, it’s some of the newer pieces. My technique is much more refined now and I pay more attention to details.</p>
<blockquote><p>Magazines are almost like a religion nowadays. They tell you how to dress, what to eat, where to go out, how to live.</p></blockquote>
<p><strong>The exhibition also includes an installation dealing with Belgian politics and recently you did a project on the G8 countries. Is your art becoming more political?</strong></p>
<p>A big no. I really don’t want to be a political artist, not at all. But when something so absurd happens as Belgium being without a government for ages and politicians singing the national anthem wrong – then I just have to do something on it, I cannot ignore it. In the <a href="http://en.wikipedia.org/wiki/G8" target="_blank">G8 </a>project I focused on the flags and played with that aspect that countries can be like brands as <a href="http://en.wikipedia.org/wiki/Nike,_Inc." target="_blank">Nike</a> or <a href="http://en.wikipedia.org/wiki/Honda" target="_blank">Honda</a> for example.</p>
<p><strong>How would you describe your artistic development since you started?</strong></p>
<p>My art evolved over time. I explored different themes but always went into the same direction. My artwork gets updated by what happens around me – take the technologic developments for instance.</p>
<p><strong>What’s your working process like? How do you start out when you make a new piece? Do you make drawings?</strong></p>
<p>Everything happens in my head. When I have an idea I get completely obsessed with it and cannot sleep anymore until I’ve figured it out. So I plan everything in my head and then I just do it.</p>
<p><strong>Why magazines? Did they always have a special place in your life?</strong></p>
<p>Yes, I’m very passionate when it comes to magazines. I&#8217;ve regularly been reading magazines ever since I’m 10 years old. There is so much information inside them, images, colours…and as they usually only survive for a limited amount of time and end up in the garbage after a week or so, I wanted to give them a second life. And I feel like the people behind them don’t get enough credit, they never have their moment of glory. Also, I find that magazines are almost like a religion nowadays. They tell you how to dress, what to eat, where to go out…how to live in society.</p>
<p><strong>What is your favourite magazine?</strong></p>
<p>The Word Magazine of course (laughs)! I like <a href="http://wadmag.com/" target="_blank">WAD</a>, <a href="http://www.photo.fr/" target="_blank">Photo</a>, <a href="http://www.playboy.com/" target="_blank">Playboy</a>, <a href="http://www.vogue.fr/" target="_blank">Vogue</a>, <a href="http://www.wallpaper.com/" target="_blank">Wallpaper</a>, <a href="http://www.artpress.com/" target="_blank">Artpress</a>, <a href="http://www.graffitiartmagazine.com/" target="_blank">Graffiti Art</a>, &#8230; there’s a lot of good stuff out there.</p>
<p><strong>How long does it take you to transform one single magazine?</strong></p>
<p>It depends – sometimes a few hours, at other times several days. I like to work parallel at different pieces so I can stop and come back to them later.</p>
<p><strong>Which other artists have influenced you?</strong></p>
<p>Artists who took objects and gave it a second life, as <a href="http://en.wikipedia.org/wiki/Marcel_Duchamp" target="_blank">Marcel Duchamp</a> or <a href="http://en.wikipedia.org/wiki/Marcel_Broodthaers" target="_blank">Marcel Broodthaers</a>.</p>
<p><strong>What inspires you?</strong></p>
<p>Life. Life and its absurdities.</p>
<p><strong>
	
	<div style="text-align: center;">
				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/radar/the-interview-christopher-coppers/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/coppers/trash-tv-400x300.jpg" alt=" "></a></p>
		<p style="text-align: center;"><em><small>&nbsp;</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/radar/the-interview-christopher-coppers/">View more photos…</a></strong> (8 pictures)</p>
	
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</strong></p>
<p>Christophe Coppers&#8217; Trash TV runs until 25th February</p>
<p>Bodson Emelinckx, Rue de Henninstraat 70 – 1050 Brussels</p>
<p><a href="http://www.bodson-emelinckx.com/" target="_blank">www.bodson-emelinckx.com</a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>The review: Bruce Davidson&#8217;s Subway</title>
		<link>http://www.thewordmagazine.be/radar/the-review-bruce-davidsons-subway/</link>
		<comments>http://www.thewordmagazine.be/radar/the-review-bruce-davidsons-subway/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 08:48:01 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Radar]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=11241</guid>
		<description><![CDATA[We take a closer look at Steidl's recent reissue of American photographer Bruce Davidson's groundbreaking photographs of the New York subway back in the 1980s. ]]></description>
			<content:encoded><![CDATA[<div id="attachment_11242" class="wp-caption alignnone" style="width: 695px"><a rel="attachment wp-att-11242" href="http://www.thewordmagazine.be/radar/the-review-bruce-davidsons-subway/attachment/davidson_subway/"><img class="size-large wp-image-11242" src="http://www.thewordmagazine.be/media/2012/01/Davidson_Subway-400x391.jpg" alt="" width="400" height="391" /></a><p class="wp-caption-text">Subway by Bruce Davidson published by Steidl / www.steidlville.com</p></div>
<p>With its more than 1,000 kms of tracks, 460 stations and several millions of rides delivered each day of the year, New York’s subway system is a world of its own, tirelessly running through its five boroughs like ever-pulsating veins, the nervous system to the city that never sleeps. American photographer and <a href="http://www.magnumphotos.com/" target="_blank">Magnum</a> member <a href="http://en.wikipedia.org/wiki/Bruce_Davidson_(photographer)" target="_blank">Bruce Davidson</a> infamously captured this urban microcosm on film back in 1986, focusing his lens on the commuters, musicians, train conductors, thugs, vagabonds, businessmen and buskers that made up the underground&#8217;s make-up at the time. And, given the particularly dangerous nature of the subway back in the 1980s, this was no small feat. Davidson: &#8220;As I went down the subway stairs, through the turnstile, and onto the darkened station platform, a sinking sense of fear gripped me. I grew alert, and looked around to see who might be standing by, waiting to attack. The subway was dangerous at any time of the day or night, and everyone who rode it knew this and was on guard at all times; a day didn&#8217;t go by without the newspapers reporting yet another hideous subway crime. Passengers on the platform looked at me, with my expensive camera around my neck, in a way that made me feel like a tourist-or a deranged person.&#8221; It is precisely this prevailing sense of tension that make Davidson&#8217;s visual journey so mesmerising, each of his subjects, for example, portrayed with haunting authenticity, staring zomby-eyed into Davidson&#8217;s direction. More than 25 years on, and although the book has been given a Steidl update (it now comes with additional unpublished photographs), Davidson&#8217;s work has aged magnificently, remaining a vivid and powerful reflection of the city&#8217;s past.</p>
<p><strong>
	
	<div style="text-align: center;">
				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/radar/the-review-bruce-davidsons-subway/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/subway/davidson_subway_02_c-400x272.jpg" alt=" "></a></p>
		<p style="text-align: center;"><em><small>Subway by Bruce Davidson published by Steidl / www.steidlville.com</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/radar/the-review-bruce-davidsons-subway/">View more photos…</a></strong> (5 pictures)</p>
	
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</strong></p>
<p>Bruce Davidson: Subway</p>
<p>Published by <a href="http://www.steidlville.com/" target="_blank">Steidl</a></p>
<p>Available from Amazon <a href="http://www.amazon.co.uk/Bruce-Davidson-Subway/dp/3869302941" target="_blank">here</a></p>
<p><strong><br />
</strong></p>
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		<title>Our Christmas wish list</title>
		<link>http://www.thewordmagazine.be/office/our-christmas-wish-list/</link>
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		<pubDate>Thu, 22 Dec 2011 09:33:40 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Office]]></category>
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		<category><![CDATA[Gift guide]]></category>
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		<description><![CDATA[Starting today and up until Christmas eve, we’ll be putting forward two present proposals a day meant to make your end-of-year gift search that little bit easier. Today: A knitted cardigan from Henrik Vibskov and scarf by SPRB.]]></description>
			<content:encoded><![CDATA[<p>Up until Christmas eve, we&#8217;ll be putting forward two present proposals a day meant to make your end-of-year gift search that little bit easier.</p>
<p>All photography <a href="http://www.paulinemiko.com/Pauline_Miko_Photography/Pauline_Miko_Photography.html" target="_blank">Pauline Miko</a></p>
<p><strong>Knitted cardigan from Henrik Vibskov and scarf by SPRB</strong></p>
<p>As its name suggest, Danish designer <a href="http://www.henrikvibskov.com/">Henrik Vibskov</a>&#8216;s Nordic Kimono &#8211; a heavy-knit oversized cardigan with tie belt &#8211; astutely blends Japanese cuts with Nordic patterns, bringing the best of both worlds together. A unique piece that scores house points both for its originality but also for the quality of its craftsmanship, the cardigan is made out of Merino wool and is cut to perfection (fitted but with enough room for manoeuvre should the Christmas dinner get out of hand). Topped by this exquisite hand-knitted scarf-come-hoodie made by Dutch imprint <a href="http://www.sprb.nl/">SPRB</a>, and we&#8217;ve concocted the perfect solution for winter snuggles.</p>
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				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/office/our-christmas-wish-list/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/christmas-wish-list/paulinemiko-wishlisttheword-29-400x266.jpg" alt="paulinemiko-wishlisttheword-29"></a></p>
		<p style="text-align: center;"><em><small>Caption: Nordic Kimono from Henrik Vibskov (€378), available from MAPP, Rue Léon Lepagestraat 5 - 1000 Brussels. SPRB scarf (€180) available from Haleluja, Place du Nouveau Marché aux Grains 6 Nieuwe Graanmarkt - 1000 Brussels.</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/office/our-christmas-wish-list/">View more photos…</a></strong> (10 pictures)</p>
	
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<h3>Thursday 23rd December&#8217;s proposal: Maison Fabre gloves and Il Bussetto coin purse</h3>
<p>Taking colour-coded style to new heights, we&#8217;ve selected two items today guaranteed to bring smiles around the Christmas tree. First up, a family of leather-clad colourtastic gloves for women from venerable French glove-maker<a href="http://www.maisonfabre.com/" target="_blank">Maison Fabre</a>. With a palette that tilts towards the bold and beautiful and a cut that aims for the timeless, the decade-old family business once again confirms its reputation for excellency. Next up is Italian imprint <a href="http://www.ilbussetto.it/?lang=en" target="_blank">Il Bussetto</a>&#8216;s elegant coin purses, handcrafted using an ancient Italian manufacturing technique. Available in three different sizes and with a range of different colours to choose from, they&#8217;ll sit perfectly with the gloves.</p>
<h3>Wednesday 21st December&#8217;s proposal: Good One sweater and Calourette necklace</h3>
<p>As stylish as it is eco-conscious, this effortless,  slightly-on-the-quirky-side sweater from London-based sustainable  fashion imprint Good One stands out through its colour-patterned design,  the label’s trademark look. Combining modern and contemporary features  with an innovative production method (known as ‘up-cycling’, a trend  that blends sustainable fabrics with reclaimed textiles), this  unstructured pullover will appeal to the fashion-fiends keen to add a  little lightheartedness to their wardrobes. Add to that the restrained  sparkle of this necklace (made of real walnut and real silver) from  Calourette – a French jewellery label with a knack for playful and  original creations – and you have yourself another sure-fire duo of  Christmas pleasers.</p>
<h3>Tuesday 20th December&#8217;s proposal: Faguo &amp; Johnstons of Elgin high tops and Alexander Wang hoodie</h3>
<p>We&#8217;re suckers for collaborations here at Word HQ, especially when  they bring seemingly opposing forces together. In steps French upstart  sneaker label <a href="http://www.faguo-shoes.com/fr/" target="_blank">Faguo</a> (The brand that pioneered the &#8216;buy-plant-support&#8217; business model) and <a href="http://www.johnstonscashmere.com/" target="_blank">Johnstons of Elgin</a>,  a Scottish imprint that is over 200 years old (its tweed and cashmere  are favourites of the British Royal Family). The unlikely pair have  teamed up  on this Scottish-themed high top that combines Faguo&#8217;s modern  and elegant design with Johnstons&#8217; exceptional fabrics (the shoe is  made of authentic Scottish tweed), bringing a little bit of Highland  authenticity to the street. And, since we&#8217;re on the topic of  street-savyness, we&#8217;ve picked out this <a href="http://www.alexanderwang.com/" target="_blank">Alexander Wang</a> wool and cashmere hoodie as the best one to rock with the high tops &#8211; hands down.</p>
<h3>Monday 19th December&#8217;s proposal: Asus N55S and Coffee Spot</h3>
<p>In barista world, coffee enjoys the same kind of precision rating as  wine. Indeed, the (somewhat belated) emergence of coffee joints in our  cities has been accompanied by issues of bean quality, provenance and  processing. What&#8217;s more, the image of the barista has evolved from one  of spotty teenagers trying to make some pocket money to well-travelled,  knowledgable coffee captains whose passion for the bean is second to  none. Well, they now have a trusted little companion in the shape of  this handy little <a href="http://www.nottooarty.be/pages/productDetail.php?lang=en&amp;id=14" target="_blank">coffee spot book</a>. Designed by <a href="http://www.deinvasie.be/" target="_blank">DeInvasie.be</a> founder Yves Drieghe and printed in Belgium on an original Heidelberg  press, think of the book as your very own little ratings agency on  paper, a 100-page strong archive of all your coffee experiences. And,  just in case the paper runs out or your pencil gives in, we suggest you  take this sleek and sexy new notebook from <a href="http://sonicmaster.asus.com/GLOBAL/en/N55_Gallery.html" target="_blank">Asus</a> along. Called the N-Series, its built-in HD camera and <a href="http://www.bang-olufsen.com/" target="_blank">Bang &amp; Olufsen</a> powered sound system (complete with subwoofer) makes it ripe for coffee lounge media consumption.</p>
<h3>Friday 16th December&#8217;s proposal: Contacts DVD and 032c</h3>
<p>Contacts is a comprehensive and exhaustive three-DVD boxset  collection of movies (English, French and German audio) which profiles  the world’s greatest photographers in a fresh and unashamedly personal  way. Everyone from <a href="http://fr.wikipedia.org/wiki/Sarah_Moon" target="_blank">Sarah Moon</a>, <a href="http://en.wikipedia.org/wiki/Jeff_Wall" target="_blank">Jeff Wall</a> or even <a href="http://en.wikipedia.org/wiki/Henri_Cartier-Bresson" target="_blank">Henri Cartier-Bresson</a> takes to the camera, revealing secrets behind their iconic images and  providing insights into their singular artistic approaches. A  captivating behind-the-scenes look, the documentaries often make for  exhilarating accounts and manage to picture these legendary  photographers in their natural habitat: in the darkroom, on location or  in the studio. And, to complete your Sunday afternoon culture fix, a  yearly subscription to culture bible <a href="http://032c.com/" target="_blank">032c</a> (the self-proclaimed Manual for Freedom, Research and Creativity) will  ensure you remain on top of your game as far as everything fashion, art  and culture is concerned.</p>
<h3>Thursday 15th December&#8217;s proposal: Santal Massoia perfume by Hermès and l&#8217;Eau de Villée limited edition bottle by Manor Grunwald</h3>
<p>Since 2004 <a href="http://en.wikipedia.org/wiki/Jean-Claude_Ellena" target="_blank">Jean-Claude Ellena</a>, the mastermind behind all <a href="http://www.hermes.com/" target="_blank">Hermès</a> perfumes, creates elegant scents for the Hermessence line aimed at men as well as women. Santal Massoia is his tenth and most recent composition for the unisex collection, combining a rather unusual mix of two milky woods: the more common sandalwood and the rare massoia, a protected tree species found in New Guinea and Indonesia. Exotic yet discreet, the scent hits all the right notes this winter and is guaranteed to warrant an approving nod from the connoisseurs. And, keeping within today&#8217;s fire power tone, we&#8217;ve dug out a <a href="http://www.manorgrunewald.com/" target="_blank">Manor Grunwald</a>-designed limited edition <a href="http://www.distilleriedebiercee.be/gamme/eau-de-villee/" target="_blank">Eau de Villée</a> bottle that will without a doubt keep spirits high around the Christmas tree.</p>
<h3>Wednesday 14th December&#8217;s proposal: Swatch Touch and Maison Martin Margiela gloves</h3>
<p>Riding the current wave of everything &#8216;touch&#8217;, the Swiss  watchmaker-to-the-masses reveals its Swatch Touch, a watch that, you&#8217;ve  guessed it, comes with a touch screen. Trading in the customary twists  and turns for swipes and taps, the Blade Runner-worthy timepiece comes  in a timeless black (pictured), although the less serious souls will  certainly go for <a href="http://www.swatch.com/ch_de/home.html" target="_blank">Swatch</a>&#8216;s  signature pallet of uplifting colours &#8211; everything form pink to  turquoise. And, to guarantee you keep both your hands and your new watch  nice and warm, these <a href="http://www.maisonmartinmargiela.com/" target="_blank">Maison Martin Margiela</a> gloves will undoubtedly do the trick whilst staying true to your &#8216;presentation is half the battle won&#8217; mantra.</p>
<h3>Tuesday 13th December&#8217;s proposal: Sony Alpha 77 (with 18-55mm lens) and Louis Vuitton City Guides 2012</h3>
<p>With its elegant disposition, this freshly-updated and tightly-packed  collection of travel tomes consists of nine separate city guides that  take in everything from a town&#8217;s museums and tearooms to it&#8217;s best  shopping addresses and drinking dens. With the addition of a cutesy  section entitled &#8216;Good Things&#8217;, the <a href="http://www.louisvuitton.com/front/#/dispatch" target="_blank">Louis Vuitton</a> City Guides&#8217; focus is clearly on the good life, dishing out innumerable  insider tips as to what a city has to offer &#8211; from the 22 year old wine  cellar in Zagreb to the 150 year old pastry shop in Warsaw. Choosing to  give a shine to Europe&#8217;s lesser known capitals and satellite cities  (Vienna and Salzburg; Naples and Bari; Odessa and St Petersburg), it is  the depth of local insights and the simple way in which the intelligence  is presented that really makes these city guides the perfect companion  for your 2012 city-hopping plans. And, whilst you&#8217;re at it, take <a href="http://www.sony.co.uk/section/home" target="_blank">Sony</a>&#8216;s  excellent Alpha 77 D-SLR with 18-55mm lens along in your weekend  holdall to guarantee the tip&#8217;s many memories are captured to perfection,  be it in photo or video mode.</p>
<h3>Monday 12th December&#8217;s proposal: Marshall Headphones &#8217;The Major&#8217; and Slove &#8216;Le Danse&#8217;</h3>
<p>With its synth-driven melodies, catchy guitar riffs and addictive  bass lines, Slove&#8217;s debut LP &#8216;Le Danse&#8217; is undoubtedly one of our  favourite albums of the year, clocking up impressive amounts of airplay  on Word radio. In fact, the band&#8217;s sexy-cool blend of uptempo and  uplifting dance-pop so <a href="http://www.thewordmagazine.be/radar/rise-and-shine-slove/">captured our hearts and minds</a> that we invited the Parisian duo for a live showcase at <a href="http://www.thewordmagazine.be/office/the-blue-album-release-party-photographs/">our blue album release party</a> (Watch the video <a href="http://www.youtube.com/watch?v=y3EVwCnu_p8" target="_blank">here</a>).  Easily our number one music pick if we were to draw up our own wish  list this Christmas. (And we&#8217;d probably throw in these sparkling white  headphones by <a href="http://www.marshallheadphones.com">Marshall</a> &#8211; ideal for bass-heavy listening.)</p>
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		<title>Cloud surfing</title>
		<link>http://www.thewordmagazine.be/wonders/cloud-surfing/</link>
		<comments>http://www.thewordmagazine.be/wonders/cloud-surfing/#comments</comments>
		<pubDate>Wed, 07 Dec 2011 10:36:52 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
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		<description><![CDATA[Belgian photographer-on-the-rise Julie Calbert aims high with her feature on the ever-changing scenery of the world above. 
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			<content:encoded><![CDATA[<p>The fluffiness of clouds. Their infinity and serenity. The layer of cosiness they resemble from atop. And how unattainable they often seem from down below. They’re not always there nor are they always what they seem. They’re what you want them to be.</p>
<p>Photographer <a href="http://www.juliecalbert.be/" target="_blank">Julie Calbert</a></p>
<p><strong>
	
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				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/wonders/cloud-surfing/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/clouds/0405_theview_clouds_5-400x262.jpg" alt=" "></a></p>
		<p style="text-align: center;"><em><small>&nbsp;</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/wonders/cloud-surfing/">View more photos…</a></strong> (9 pictures)</p>
	
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<p>(This feature was first published in <a href="http://www.thewordmagazine.be/issues/the-white-album/" target="_blank">the white album</a>)</p>
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		<title>The shelf: Shedding light</title>
		<link>http://www.thewordmagazine.be/radar/the-shelf-shedding-light/</link>
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		<pubDate>Wed, 07 Dec 2011 08:39:01 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
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		<description><![CDATA[Chinese living, the most dangerous city in America, the disappearance of landmarks in Colorado, colour-coded foreplay and a personal history of the household. Five fine art and photography books that'll see you through the winter months. ]]></description>
			<content:encoded><![CDATA[<p>When all else fails, let us look to the light and draw from it a moment we shared. When it was just right, when it fell on us so perfectly, all those little details it helped bring to light, mummified in the well of memories. For it is here that they will keep, as the light shifts and steals new shape. There are some that will always remain.</p>
<p>Writer Melisande McBurnie, Photographer <a href="http://stinesampers.com/" target="_blank">Stine Sampers</a></p>
<p><a rel="attachment wp-att-10436" href="http://www.thewordmagazine.be/radar/the-shelf-shedding-light/attachment/0405_theshelfdigital/"><img class="alignnone size-large wp-image-10436" src="http://www.thewordmagazine.be/media/2011/12/0405_TheShelfDIGITAL-400x216.png" alt="" width="400" height="216" /></a></p>
<p><strong>Camden by Jean-Christian Bourcart &#8211; <a href="http://www.iemeditions.com/catalog/index.php" target="_blank">Images en Manœuvres Editions</a></strong></p>
<p><a href="http://en.wikipedia.org/wiki/Jean-Christian_Bourcart" target="_blank">Bourcart</a>’s most recent publication – what could almost be described as a photo journal – sees him set foot into one of Americas most malignant areas. It portrays the subject in complete disarray, caught off guard. It’s as if the state had just come and repossessed the bed, the fridge, even the roof, just as he was about to click the shutter. Q-tips litter the floor, along with pen caps and exposed cables. From bitter cold streets to sticky tarmac and, every so often, a gesture, a kiss, an embrace. This is the stuff of “shit”&#8230; All the things you weren’t supposed to see. And to think he simply googled “most+dangerous+city+america”, result “Camden.”</p>
<p>Available from <a href="http://www.amazon.co.uk/Jean-Christian-Bourcart-Camden/dp/2849952036" target="_blank">Amazon</a></p>
<p><strong>Gone? by Robert Adams &#8211; <a href="http://www.steidlville.com/" target="_blank">Steidl</a></strong></p>
<p>In his latest book Gone?, <a href="http://en.wikipedia.org/wiki/Robert_Adams_%28photographer%29" target="_blank">Robert Adams</a> take us on a “Hansel and Gretel” journey into the landscape of a recollection based in Colorado. Shot in black and white, a series of photos taken in the 1980s document the slow evolution of a once wild region. Revisiting a place, where as a young boy Adams walked and the impact it now plays on reshaping his memory, Gone? is the disappearance of personal landmarks, of how one got from A to B and all the little pit stops in-between. There is something engaging upon seeing Adams’ vast lands devoid of colour that leaves us with an urge to fill it in, a true scrapbook of sorts. One can’t help but want to remember with him of how it used to be.</p>
<p>Available from <a href="http://www.amazon.co.uk/Robert-Adams-Gone-Heinz-Liesbrock/dp/3865219179/ref=sr_1_1?ie=UTF8&amp;qid=1323191273&amp;sr=8-1" target="_blank">Amazon</a></p>
<p><strong>Black and White by Ellsworth Kelly &#8211; <a href="http://www.hatjecantz.de/" target="_blank">Hatje Cantz</a></strong><br />
Investigating the interplay of positive and negative, form versus colour and the space that surrounds us, <a href="http://en.wikipedia.org/wiki/Ellsworth_Kelly" target="_blank">Ellsworth Kelly</a> brings us back to basics. With over six decades of study and observation into his everyday surroundings, having first gained worldwide acclaim for his paintings and drawings, Kelly now presents us with Black and White. Asking the viewers’ approach to be that of a child, who learns from disassembling and reassembling, the result is engaging and playful – looking somewhat simple at first sight though closer inspection reveals there’s an equation behind each move, a “working out” so to speak, a consideration of weight, balance and its tipping point. Indeed we are left with a querying feeling of “What came first?”</p>
<p>Available from <a href="http://www.amazon.co.uk/Ellsworth-Kelly-Munchen-Haus-Kunst/dp/3775732179/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1323191298&amp;sr=1-1" target="_blank">Amazon</a></p>
<p><strong>Red Roses Yellow Rain by Marrigje de Maar &#8211; <a href="http://www.hatjecantz.de/" target="_blank">Hatje Cantz</a></strong><br />
In Red Roses Yellow Rain, <a href="http://www.takeadreamforawalk.com/" target="_blank">Marrigje</a> captures the more humble abodes and their interiors over a period of several visits to the “Motherland”, a country rapidly hurtling into modernisation. Here she allows us to spy into a culture still steaming with history and traditions. A domestic journey into communist China and what lies behind the wall. It’s almost like walking onto the set of a <a href="http://en.wikipedia.org/wiki/Zhang_Yimou" target="_blank">Zhang Yimou</a> film. The classic coral-red and jade-green with floral flasks and pink plastic bags taking on a form of true “minimal-decor” all captured with that similar somber light. So inviting are these images, one can almost smell the tea brewing.</p>
<p>Available from <a href="http://www.amazon.co.uk/Marrigje-Maar-Roses-Yellow-Rain/dp/377573001X/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1323191403&amp;sr=1-1" target="_blank">Amazon</a></p>
<p><strong>Far Too Close by Martina Hoogland Ivanow &#8211; <a href="http://www.steidlville.com/aboutus/3-steidlmack.html" target="_blank">Steidlmack</a></strong><br />
Far Too Close entangles the boundaries between familiar and foreign. Drawing the viewer into something of a secret and what lurks in its shadows, <a href="http://www.martinahooglandivanow.com/" target="_blank">Ivanow</a> depicts the features of an almost faceless person, making it near impossible to make out where one subject ends and the other begins. Having traveled extensively over a seven year period to remote places such as Siberia, Sakhalin Island and Tierra del Fuego, on the southern tip of Argentina, the photographer sets out to explore and capture a personal history of “home”. The shape of sheets are here and the place on a pillow where a head had rested.</p>
<p>Available from <a href="http://www.amazon.co.uk/Martina-Hoogland-Ivanow-Far-Close/dp/3865217354/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1323191377&amp;sr=1-1" target="_blank">Amazon</a></p>
<p>(First published in <a href="http://www.thewordmagazine.be/issues/the-white-album/" target="_blank">the white album</a>)</p>
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		<title>Facing the blank canvas: Vadim Vosters</title>
		<link>http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-vadim-vosters/</link>
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		<pubDate>Tue, 06 Dec 2011 11:23:03 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
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		<description><![CDATA["It is not the moment one stands before a new canvas that I start thinking about what to paint; when I order the canvas I already know what to do with it", says Belgian artist Vadim Vosters.]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-10391" href="http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-vadim-vosters/attachment/0405_thewordon_facingablankcanvas_vadimvosters_2digital/"><img class="alignnone size-large wp-image-10391" src="http://www.thewordmagazine.be/media/2011/12/0405_TheWordOn_FacingABlankCanvas_VadimVosters_2DIGITAL-400x562.jpg" alt="" width="400" height="562" /></a></p>
<p>Photographer <a href="http://www.saraheechaut.com/" target="_blank">Sarah Eechaut</a></p>
<p>“When I am unable to start working, I tend to go for a walk (mostly in the nightime), I take a book and read, reorganise my studio or take up older works. The canvas remains blank for a while, but even then I give it a push. Even if it’s not completely good, I paint the entire canvas until it has a first layer of paint over which I can paint the day after. Then at least I have an image that I can criticise. Worrying about a blank canvas or painting is useless. It is not the moment one stands before a new canvas that I start thinking about what to paint; when I order the canvas I already know what to do with it. There are some canvasses that I have been working on for years now, I paint over them, or they are waiting for the ’moment of genius’ to get things right. ” <a href="http://www.vadimvosters.be/" target="_blank">Vadim Vosters</a> (32) currently works on a painting for the <a href="http://www.hermitage.nl/nl/" target="_blank">Hermitage Museum</a> in Amsterdam, a light installation for <a href="http://www.demarkten.be/" target="_blank">De Markten</a> in Brussels and a performance video for an installation in Ukraine.</p>
<p><a rel="attachment wp-att-10392" href="http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-vadim-vosters/attachment/0405_thewordon_facingablankcanvas_vadimvosters_1digital/"><img class="alignnone size-large wp-image-10392" src="http://www.thewordmagazine.be/media/2011/12/0405_TheWordOn_FacingABlankCanvas_VadimVosters_1DIGITAL-400x562.jpg" alt="" width="400" height="562" /></a></p>
<p><a href="http://www.vadimvosters.be/" target="_blank">vadimvosters.be</a></p>
<p>(This feature was first published in <a href="http://www.thewordmagazine.be/issues/the-white-album/" target="_blank">the white album</a>)</p>
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		<title>Facing the blank canvas: Manor Grunewald</title>
		<link>http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-manor-grunewald/</link>
		<comments>http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-manor-grunewald/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 15:23:43 +0000</pubDate>
		<dc:creator>Sarah Schug</dc:creator>
				<category><![CDATA[Wonders]]></category>
		<category><![CDATA[Arts]]></category>
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		<category><![CDATA[Belgium]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=10087</guid>
		<description><![CDATA[Five emerging Belgian artists talk to us about what it feels like to stare a blank canvas in the eye. First up, Ghent-based painter Manor Grunewald (26), featured on our white album's cover. ]]></description>
			<content:encoded><![CDATA[<p><!-- @font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "ＭＳ 明朝"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Cambria; }.MsoChpDefault { font-size: 10pt; font-family: Cambria; }div.WordSection1 { page: WordSection1; } --> Calling yourself an artist, musician or writer is all well and fine whilst the brush strokes, music notes and words flow abundantly, but what really defines a true creative from mere impostors is their ability to face – and embrace &#8211; a white sheet of paper in the knowledge that, at some point during the day, that eureka moment will come.</p>
<p>Photographer <a href="http://www.saraheechaut.com/" target="_blank">Sarah Eechaut</a></p>
<p><a rel="attachment wp-att-10088" href="http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-manor-grunewald/attachment/0405_thewordon_facingablankcanvas_manorgrunewald_6_digital/"><img class="alignnone size-large wp-image-10088" src="http://www.thewordmagazine.be/media/2011/11/0405_TheWordOn_FacingABlankCanvas_manorgrunewald_6_DIGITAL-400x284.png" alt="" width="400" height="284" /></a></p>
<p>“(I don’t fear the blank canvas at all). I have learned to treat the canvas like a piece of paper. When you make a silly drawing on paper and it isn&#8217;t good at all you just throw it away or try to make something out of it. I work on different paintings at one time, it&#8217;s better to reflect and see how things work and get influenced by each other. If something doesn&#8217;t work out, I just paint it over or test something further on the image. In this way the relationship between you as a painter and the images is totally different when you would work on one canvas at a time.” <a href="http://manorgrunewald.com">Manor Grunewald</a> is an artist currently working on a large oil painting for a group show at the <a href="http://www.hermitage.nl/en/" target="_blank">Hermitage Museum in Amsterdam</a> as well as on his upcoming solo show at <a href="http://www.fortlaan17.com/" target="_blank">Gallery fortlaan 17</a> and his new book coming out in February 2012.</p>
<p><a rel="attachment wp-att-10093" href="http://www.thewordmagazine.be/wonders/facing-the-blank-canvas-manor-grunewald/attachment/0405_thewordon_facingablankcanvas_manorgrunewald_1_digital/"><img class="alignnone size-large wp-image-10093" src="http://www.thewordmagazine.be/media/2011/11/0405_TheWordOn_FacingABlankCanvas_manorgrunewald_1_DIGITAL-400x562.png" alt="" width="400" height="562" /></a></p>
<p>Manor Grunwald</p>
<p>&#8220;I always wanted to be David Copperfield, but I turned out to be a painter&#8221;</p>
<p>Until 28th January 2012</p>
<p><a href="http://fortlaan17.com/programme/">Galerie Fortlaan 17</a>, Ghent</p>
<p>(This feature was first published in the <a href="http://www.thewordmagazine.be/issues/the-white-album/" target="_blank">white album</a>)</p>
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		<title>Closing our blue chapter</title>
		<link>http://www.thewordmagazine.be/wonders/closing-our-blue-chapter/</link>
		<comments>http://www.thewordmagazine.be/wonders/closing-our-blue-chapter/#comments</comments>
		<pubDate>Thu, 22 Sep 2011 07:46:55 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
				<category><![CDATA[Wonders]]></category>
		<category><![CDATA[Antwerp]]></category>
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		<category><![CDATA[Blue]]></category>
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		<category><![CDATA[The blue album]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=8547</guid>
		<description><![CDATA[Up and coming Antwerp-based photographer Joke De Wilde, a former intern of ours, delivers a mesmerising blue-lined series of eight portraits, bringing our blue album chapter to a close. ]]></description>
			<content:encoded><![CDATA[<p>Bringing <a href="http://www.thewordmagazine.be/issues/the-blue-album/">the current blue haze hovering above our heads</a> to a close, former Word photography intern <a href="http://fooliage.com/jokedewilde/">Joke De Wilde</a> (who saw her portrait of Lierse football club fanatic Raphael Selderslaghs grace <a href="http://www.thewordmagazine.be/issues/the-yellow-album/">our yellow album</a>&#8216;s cover) took it upon herself to create this soft-spoken series for us. Defined by her characteristic distant approach to photography &#8211; think of Joke as the kind of photographer to take a step back in order to allow her subjects to come to the fore &#8211; the series of eight portraits tells tales of fragility and mystery, capturing desolate interiors and tormented souls in a tense universe of eerie beauty.</p>
<p><strong>
	
	<div style="text-align: center;">
				<p style="text-align: center;"><a title="Launch the photo gallery" href="http://www.thewordmagazine.be/wonders/closing-our-blue-chapter/"><img src="http://www.thewordmagazine.be/wordpress/../media/gallery/closing-blue-chapter-2/collages21resized-400x319.jpg" alt="collages21resized"></a></p>
		<p style="text-align: center;"><em><small>&nbsp;</small></em></p>
		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/wonders/closing-our-blue-chapter/">View more photos…</a></strong> (8 pictures)</p>
	
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		<title>Movers and shakers: graphic designer Emil Kozak&#8217;s video</title>
		<link>http://www.thewordmagazine.be/radar/movers-and-shakers-graphic-designer-emil-kozaks-video/</link>
		<comments>http://www.thewordmagazine.be/radar/movers-and-shakers-graphic-designer-emil-kozaks-video/#comments</comments>
		<pubDate>Wed, 01 Jun 2011 08:56:46 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
				<category><![CDATA[Exclusives]]></category>
		<category><![CDATA[Radar]]></category>
		<category><![CDATA[Behind the scenes]]></category>
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		<category><![CDATA[Graphic design]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=7307</guid>
		<description><![CDATA[We recently published an interview with Barcelona-based graphic designer Emil Kozak. Chosen as one of three endorsers for Braun&#8217;s CruZer campaign, Emil draws, paints, illustrates, skates and surfs. What is…]]></description>
			<content:encoded><![CDATA[<p>We recently published <a href="http://www.thewordmagazine.be/radar/movers-and-shakers-graphic-designer-emil-kozak/">an interview with Barcelona-based graphic designer Emil Kozak</a>. Chosen as one of three endorsers for <a href="http://www.braun.com/global/cruzer-country-select.html">Braun&#8217;s CruZer</a> campaign, Emil draws, paints, illustrates, skates and surfs. What is more, he also heads his own graphic design and art direction agency, and is often called upon to inject a little pizzazz to brands in need of street cred&#8217;. Oh, and he&#8217;s also about to launch his very own brand of surf boards. With such a diversity of talents and disciplines, it is no wonder he&#8217;s caught our attention (we&#8217;ll be publishing a portfolio of his work in our blue album, out on 2nd September). Here, a small video shot in Emil&#8217;s hometown.</p>
<p><object width="685" height="410"><param name="movie" value="http://www.youtube.com/v/3KhEseaoisI?version=3"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/3KhEseaoisI?version=3" type="application/x-shockwave-flash" width="685" height="410" allowscriptaccess="always" allowfullscreen="true"></embed></object></p>
<p><img class="aligncenter size-full wp-image-7315" src="http://www.thewordmagazine.be/media/2011/06/Lifestyle_Emil-Kozak_1-400x599.jpg" alt="" width="400" height="599" /></p>
<p>&nbsp;</p>
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		<title>Movers and shakers: graphic designer Emil Kozak</title>
		<link>http://www.thewordmagazine.be/radar/movers-and-shakers-graphic-designer-emil-kozak/</link>
		<comments>http://www.thewordmagazine.be/radar/movers-and-shakers-graphic-designer-emil-kozak/#comments</comments>
		<pubDate>Tue, 24 May 2011 08:21:29 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
				<category><![CDATA[Culture]]></category>
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		<guid isPermaLink="false">http://www.thewordmagazine.be/?p=7242</guid>
		<description><![CDATA[Graphic designers, if you ask us, don&#8217;t get half as much of love as they deserve. Part of that can be down to the fact that they operate on the…]]></description>
			<content:encoded><![CDATA[<p>Graphic designers, if you ask us, don&#8217;t get half as much of love as they deserve. Part of that can be down to the fact that they operate on the fringes, preferring the familiarity of the backstage to the shine of the spotlight. Part of that is also down to the fact that they&#8217;re the last great technicians of the creative communities, geeks with one foot firmly in a bucket of cool.  They take inspiration from their everyday, sucking up their surroundings whilst delving deep into their subconscious to shape a visual narrative imbued with a steadfast vision and a very personal aesthetic. Most often than not, the designer&#8217;s personality seeps through his work. And so it is for Danish designer <a href="http://www.emilkozak.com">Emil Kozak</a>, one of the chosen endorsers for <a href="http://www.braun.com/global/cruzer-country-select.html">Braun&#8217;s new CruZer</a>, whose early days as a skater ended-up shaping the rest of his career.</p>
<div id="attachment_7243" class="wp-caption aligncenter" style="width: 582px"><img class="size-full wp-image-7243" src="http://www.thewordmagazine.be/media/2011/05/Portrait_Emil-Kozak-400x495.jpg" alt="" width="400" height="495" /><p class="wp-caption-text">Graphic designer Emil Kozak posing for the Braun Cruzer campaign</p></div>
<p>“I guess what really hooked me on skateboarding was the creativity,” he says from Barcelona, where he moved to from his native Denmark for, as he puts it, his &#8216;love of skateboard (and his girlfriend).&#8221; After an initial phase of lots of “staring at the ceiling because of the language barrier”, Emil managed to set up a design practice in the city that focuses on art direction, graphic design, illustration and communication for well-known, influential culture and fashion imprints such as <a href="http://www.eastpak.com/be/en/">Eastpak</a>, <a href="http://global.burton.com/on/demandware.store/Sites-Burton_GLOBAL-Site/default">Burton</a> or <a href="http://www.nike.com/nikeos/p/nike/en_EMEA/?ref=http%3A%2F%2Fwww.google.be%2Fsearch%3Fclient%3Dsafari%26rls%3Den%26q%3DNike%26ie%3DUTF-8%26oe%3DUTF-8%26redir_esc%3D%26ei%3DJmPaTejmBdGd-Qalm4WfDw">Nike</a>. &#8216;Danish design made in Barcelona&#8217; became his tag line. Think Northern pragmatism with Southern warmth.</p>
<p><img class="aligncenter size-full wp-image-7244" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_18-400x265.jpg" alt="" width="400" height="265" /></p>
<p>Today, Emil&#8217;s inspiration net is cast slightly wider, with everything from mother nature and photography to surfing and pop culture giving him enough material for reflection and creation. And, with a visual style that tilts towards the playful and good-humoured, it is no wonder he has taken his art to, well, the canvas.</p>
<p>Read our Q&amp;A with the man-of-the-moment below.</p>
<p><img class="aligncenter size-full wp-image-7245" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_30-400x601.jpg" alt="" width="400" height="601" /></p>
<p><strong>How would you describe yourself in one sentence?</strong></p>
<p>Graphic designer by day, artist at night.</p>
<p><strong>How did you get into art?</strong></p>
<p>It has been a slow process of realizing that my main voice is visual in some sense.</p>
<p><strong>How would you describe your art to someone who hadn&#8217;t seen it before?</strong></p>
<p>Naive, bold, positive and simple. I love simplicity. I like to speak as clear and precise about a certain theme&#8230; I feel simplicity does that.</p>
<p><strong>What was the reason for your breakthrough? Luck? Talent? Stamina?</strong></p>
<p>I mix of the above. I also think I have been fortunate to have long periods of uninterrupted reflection, which might get some balls rolling. Especially when I moved to Spain from my native Denmark. I often found myself in situations of staring at the ceiling because of the language barrier. Now I speak Spanish fluently, though.</p>
<p><strong>Why did you start working with skateboards instead of canvases?</strong></p>
<p>I started when I began skateboarding, itʼs quite common that skateboarders customize the board and griptape etc. I think skateboarding is a very creative game. Itʼs about making something out of nothing. A skateboarder sees a playground when other people see an empty parking lot. It is like this imaginary world that you can go to when the other one sucks.</p>
<p><img class="aligncenter size-full wp-image-7246" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_03-400x265.jpg" alt="" width="400" height="265" /></p>
<p><strong>How long have you been skateboarding?</strong></p>
<p>I got a skateboard when I was around seven years old (a little orange plastic board) that I used to play with in my grandparentsʼ living room. Throughout my early teenage years I got obsessed with skateboarding and I spent a lot of years studying magazines, movies and skating the streets of my city. But what really hooked me on skateboarding was the creativity: ripping with style, the colors, the music and the visual marks blew my mind. From there on it kinda influenced every part of my life and way of thinking.</p>
<p><strong>Why do you live in Barcelona? Tell us about your studio and the art and board scene there. </strong></p>
<p>I am from a small island in the south of Denmark. From a city called Maribo. I moved to Spain a bit more than five years ago. My girlfriend is from Valencia and we wanted to live together in a place that was kind of &#8220;in between&#8221; our two backgrounds. We also decided on Barcelona for practical reasons&#8230; The airport, its central location and the fact that we had a lot of friends already living in Barcelona. On top of that, the art scene etc. is pretty exciting here&#8230; lots of stuff going on! Good graffiti and great places to hang out with a skateboard. With my studio I focus on art direction, brand/identity development, graphic design, illustration and communication for a wide range of clients. The studio was established in 2003 and has been working with the most well-known and influential brands in arts and culture, fashion and entertainment. Usually clients contact me because they are looking for something visually strong, with a contemporary twist &#8211; Danish design made in Barcelona!</p>
<p><strong>Perfect start to your day? Perfect end to your day?</strong></p>
<p>Surfing at sunrise, and having a beer at sunset&#8230;</p>
<p><strong>How long does it usually take you to work on a piece of art?</strong></p>
<p>A lifetime plus one to 30 hours&#8230;approximately.</p>
<p><strong>Whatʼs your favorite subject to paint?</strong></p>
<p>Anything that somehow relates to western culture and the human condition.</p>
<p><strong>What do you think makes a painting an artwork?</strong></p>
<p>It all comes down to context. In this day and age anything can be considered art&#8230;.it just depends on the context.</p>
<p><strong>Whatʼs your favorite piece of work so far?</strong></p>
<p>The Kindergarten Legends. They are ideas from when I was in kindergarten myself. I remember that we used to tell stories about other kids who had apple trees growing in their tummies, because they had swallowed the seeds from an apple. We actually believed it &#8211; I love the surreal imagination that kids have!</p>
<p><img class="aligncenter size-full wp-image-7247" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_14-400x265.jpg" alt="" width="400" height="265" /></p>
<p><strong>Where do you get your inspiration from?</strong></p>
<p>Skateboards, Alicia, the city, the nature, sentences out of context, logos, typography, my brother, ping pong, surfing, guitars, handwriting, photography, books, paint, doodles, animals, children, pop culture and pretty much everything in between!</p>
<p><strong>What people and artists do you admire?</strong></p>
<p>Iʼm fascinated by creative people who have had a life-long creative career. People like Milton Glaser, Man Ray, David Lynch, Herb Lubalin and many many more&#8230;</p>
<p><strong>Name the last three things you bought?</strong></p>
<p>The book &#8216;Niagara&#8217; by Alec Soth, an Olympus point-and-shoot camera from the 80s for only three Euros and a flashlight.</p>
<p><img class="aligncenter size-full wp-image-7248" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_19-400x265.jpg" alt="" width="400" height="265" /></p>
<p><strong>What do you do in your free time?</strong></p>
<p>I spend time with friends and family. I also enjoy surfing, books and lazy days at the beach.</p>
<p><strong>What are you most proud of?</strong></p>
<p>Working on my own, and being in control of my own path.</p>
<p><strong>What projects do you have coming up?</strong></p>
<p>Iʼm in the midst of creating a surf brand. It explores the phenomenon of localism, but from a different angle. Instead of the surfers being the &#8216;locals&#8217;, the point is Mother Nature being the rightful owner of a given area. Sharks, water, whales etc. Humans are NOT the center of the universe. It is called &#8216;Locals Only&#8217;. I recently also did a collaboration with Braun cruZer for one of their product lines. At first it might seem an unusual thing for me to team up with the guys from Braun but actually it was a cool combo. After all, just like my work theirs also revolves around style. And besides Iʼm into beards myself and like to express my personality with the way I look.</p>
<p><img class="aligncenter size-full wp-image-7249" src="http://www.thewordmagazine.be/media/2011/05/ArtWork_Emil-Kozak_23-400x533.jpg" alt="" width="400" height="533" /></p>
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		<title>In progress: Paul McCarthy&#8217;s solo show at Brussels&#8217; Charles Riva Collection</title>
		<link>http://www.thewordmagazine.be/radar/paulmccarthy/</link>
		<comments>http://www.thewordmagazine.be/radar/paulmccarthy/#comments</comments>
		<pubDate>Thu, 21 Apr 2011 08:32:25 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
				<category><![CDATA[Culture]]></category>
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		<category><![CDATA[Art Brussels]]></category>
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		<category><![CDATA[Backstage]]></category>
		<category><![CDATA[Brussels]]></category>
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		<category><![CDATA[Paul McCarthy]]></category>
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		<description><![CDATA[With only a week to go before the opening of Charles Riva Collection&#8217;s solo show of American provocative prankster Paul McCarthy, we dropped by the loft-like gallery to get a…]]></description>
			<content:encoded><![CDATA[<p>With only a week to go before the opening of <a href="http://www.charlesrivacollection.com/crc/exhibitions/show.asp" target="_blank">Charles Riva Collection&#8217;s solo show of American provocative prankster Paul McCarthy</a>, we dropped by the loft-like gallery to get a preview of the show&#8217;s preparations.  Amongst the boxes, bubble wrap and brown tape, the first signs of a show slowly begin to appear: McCarthy&#8217;s &#8220;Silver Santa&#8221; (2009) throning atop a box, several of the 79 photographs from his &#8220;Pirate Party&#8221; Portfolio (2005) waiting to be hung and a range of other video, photographic, editioned and original sculptural work still waiting to be handled with care. With everything that <a href="http://en.wikipedia.org/wiki/Paul_McCarthy" target="_blank">McCarthy</a> is known for &#8211; layer upon layer of irony, a heavy dose of organised chaos and an ability to twist the familiar into something you wish wasn&#8217;t, it really is his &#8220;Pirate Party&#8221; Portfolio (2005) as well as Heidi&#8221; (1993), the oldest work in the collection and a collaborative video made together with <a href="http://en.wikipedia.org/wiki/Mike_Kelley_(artist)" target="_blank">Mike Kelley</a>, that promise this show to be one of the strongest (and most ambitious) of the year.</p>
<p>Photographer <a href="http://fooliage.com/jokedewilde/" target="_blank">Joke De Wilde</a></p>

	
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		<p style="text-align: center;"><strong><a href="http://www.thewordmagazine.be/radar/paulmccarthy/">View more photos…</a></strong> (12 pictures)</p>
	
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<p>Paul McCarthy: Selected Works</p>
<p>Opening night Thursday 28th April<br />
The show will also be open on Friday 29th of April, for Art Brussels&#8217; Gallery night, and closes 2nd October<br />
Charles Riva Collection<br />
Rue de la Concordestraat 21<br />
1050 Brussels<br />
<a href="http://charlesrivacollection.com" target="_blank">charlesrivacollection.com</a></p>
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		<title>Movers and shakers: B-boy Ronnie Abaldonado</title>
		<link>http://www.thewordmagazine.be/radar/movers-and-shakers-b-boy-ronnie-abaldonado/</link>
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		<pubDate>Mon, 18 Apr 2011 10:19:27 +0000</pubDate>
		<dc:creator>Nicholas Lewis</dc:creator>
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		<description><![CDATA[&#8220;A lot of my transitions flow and connect fluidly like I am telling a story,&#8221; says Ronnie Abaldonado, one of the judges to this year&#8217;s Braun Battle of the Year…]]></description>
			<content:encoded><![CDATA[<p style="text-align: center;"><img class="aligncenter size-full wp-image-6827" title="Portrait_Ronnie" src="http://www.thewordmagazine.be/media/2011/04/Portrait_Ronnie1-400x495.jpg" alt="" width="400" height="495" /></p>
<p>&#8220;A lot of my transitions flow and connect fluidly like I am telling a story,&#8221; says Ronnie Abaldonado, one of the judges to this year&#8217;s Braun Battle of the Year breakdancing contest. A Filipino living in Las Vegas, Ronnie (28) has secured some of the most respected break titles around (winner of the 2007 <a href="http://www.redbullbcone.com/ronnie">Red Bull BC One</a>, first place at Las vegas&#8217; prom Am, first place at Cannes&#8217; Break The Floor), a feat he attributes to sheer hard work, commitment and determination. &#8220;Stuff like this doesn&#8217;t just happen to you. It&#8217;s hard work. I train at least two hours a day, five days a week.&#8217; says the straight-talking breaker, conscious of his influence on emerging dancing talent and his responsibility to tell it how it is. Having gotten serious about breaking at age 10 (he lived in Guam at the time), he first started emulating moves picked up on MTV&#8221;s music videos and imitating his older brother Rodolfo. At the time, his ultimate goal in life was to be as good as him. He quickly overtook his brother&#8217;s stage prowess, and went on to achieve much more than mere family supremacy. Becoming one of the States&#8217; highest ranking b-boys, his style quickly became synonymous with an intricate attention to detail, sharp execution and a heavy dose of realism. His many variations of freezes, his intricate footwork as well as his power moves are now the stuff of legend, with Ronnie&#8217;s name firmly engraved in every self-respecting hip hop fan&#8217;s mind. His success has even led to an appearance in b-boy documentary <a href="http://www.turnitloosemovie.com">Turn It Loose</a>, endorsements by leading advertisers (<a href="http://www.braun.com/fr_be/male-grooming/cruzer-shavers-and-trimmers.htm">Braun</a>) and, today, every kid from Sao Paolo to Seoul name-dropping Ronnie in the same way b-boys from the 1990s&#8217; heydays name-dropped <a href="http://en.wikipedia.org/wiki/Crazy_Legs_(dancer)">Crazy Legs</a>. Call him a no-nonsense breaker. A &#8216;blood, sweat and tears&#8217; type dancer who means serious business. And it shows.</p>
<p>Watch a break sequence Ronnie filmed for Braun</p>
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<p>Watch a behind-the-scenes video of Ronnie shooting the Braun Body CruZer campaign</p>
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<p>This post is the first in a series of sponsored profiles on up-and-coming &#8216;movers &amp; shakers&#8217;.</p>
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